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String register rehearsals

For each concert program, between two and three string register rehearsals are organized within the weekly rehearsals, which are led by the respective section leaders of the orchestra or by the members of the Estarellas Quartet, depending on the difficulty of the works. Register rehearsals are also integrated daily in the orchestra camp in Magliaso. In these rehearsals there is space to practice difficult passages of the individual string groups and to develop a group sound, which improves the overall sound of the strings and strengthens cohesion within the register.

Wind register rehearsals

The wind players of the Thurgau Youth Orchestra do not have the opportunity to rehearse weekly like the string players, but form up before the concerts depending on the line-up. Therefore, two to four wind register rehearsals are organized before the tutti rehearsals, led by Seth Quistad, solo trombonist of the Tonhalle Zurich and by Michael Reid, solo clarinetist of the Tonhalle Zurich. As with the string players, the perfect harmony of the wind players is also worked on here. Since the line-up of wind instruments is different for each program, the register rehearsals are primarily intended to achieve good balance and intonation and to ensure that the individual players feel comfortable.

Estarellas Quartet

The Estarellas Quartet, formerly known as the Garcia Abril Quartet, is the winner of the Swiss Chamber Music Competition 2007 and the Migros Culture Percentage Chamber Music Competition 2007 and is considered one of the most outstanding Spanish-Swiss ensembles in Europe. The quartet was founded in 2004 by the Spanish violinist Gabriel Estarellas Pascual.

 

Gabriel Estarellas Pascual, Violin I

Muriel Quistad, Violin II

Lea Gabriela Heinzer Estarellas, Viola

Olaf Krüger, Violoncello

 

estarellasquartett.ch

Estarellas Quartet

The Estarellas Quartet, formerly known as the Garcia Abril Quartet, is the winner of the Swiss Chamber Music Competition 2007 and the Migros Culture Percentage Chamber Music Competition 2007 and is considered one of the most outstanding Spanish-Swiss ensembles in Europe. The quartet was founded in 2004 by the Spanish violinist Gabriel Estarellas Pascual.

 

Gabriel Estarellas Pascual, Violin I

Muriel Quistad, Violin II

Lea Gabriela Heinzer Estarellas, Viola

Olaf Krüger, Violoncello

 

estarellasquartett.ch

Michael Reid, solo clarinetist of the Tonhalle Zurich

Michael Reid, solo clarinetist in the Tonhalle Orchestra since 1986, studied at the Guildhall School of Music and Drama in London and at the Music Academy of the City of Basel under Hans Rudolf Stalder. In addition to his work as an orchestral musician, Michael Reid is a member of the Arlequin Trio and the Zurich Wind Octet. As a sought-after chamber musician and soloist, he regularly performs with various orchestras, ensembles and personalities in Europe, Japan and the USA. Together with his chamber ensemble “Arlequin”, he has been leading an international summer course for wind players at the Hindemith Music Center in Blonay for 12 years. His wide-ranging interests include authentically played baroque and classical music as well as old Scottish bagpipe music, the Pibroch.

Seth Quistad, principal trombonist of the Tonhalle Zurich

Seth Quistad was born in the USA in 1974 and studied in Stockton (California), Montreal and at the Conservatoire National Supérieur de Musique de Lyon. He was a trombonist in the Kwazulu-Natal Philharmonic Orchestra (Durban, South Africa), the Aalborg Symfoniorkester (Denmark) and the Malaysian Philharmonic Orchestra (Kuala Lumpur, Malaysia). Seth Quistad has been principal trombonist in the Tonhalle Orchestra Zurich since 2007. He is also a founding member of the “Norwegian Brass”.

 

tonhalle-orchester.ch

Brilliant achievement.
What the young musicians offered with Grieg's Piano Concerto and Dvorák's "Ninth" was top class.
The young musicians followed their conductor very attentively and provided a fine sound of almost chamber music quality that made you listen in a state of rapture and bliss. Even where things get really intense - such as in the monumental outer movements - you could sense a certain lightness; and that was wonderful.

Christof Lampart, TAGBLATT